Some You Win, Some others ...

You lose, LOL.

Now after last weeks, what is wrong with this and why?

I think I could have painted this better in pastel, Or more likely, I was painting this as if I was using pastels. I should have left white space for the middle ground trees and foliage for example.

Also there is no real contrasts in tone, yes there is some but I have mixed up recession thru tonal contrast (the hills) with aerial perspective and colour recession. There are no shadows to speak of and the result is flat and uninteresting.

Lastly, I used a small brush for the last painting, I was using a pocket w/c set. I had to use the brush quickly and scrub/move the paint around. Here, I had decided to use tube colours and a larger brush. Maybe too large for the areas of the painting where some texture would have helped  create a feeling of detail.

I am going to try this same subject again and try to improve it based on the above comments. But I will also try to improve this painting by completing it with pastels. See if I can do something with it as a mixed media work.

Watch this space ...

New Pastel Landscape Painting

I have been so busy lately that I have found it difficult to find time to paint. Fresh back from holiday in the Canary islands, I attended my art group tonight and came away with another painting, hope that you like it.

My colleagues saw this and though it had been painted using a dark/black paper. However, it is done on a white ground. I do create a background using dark colours before I start painting. I do this by layering several colours which I choose based on the effect I hope to achieve.

This painting was started with a covering of purple pastel, this was loosely rubbed in and fixed to avoid mixing with subsequent layers. the next layer was a dark blue. A less intense covering this time, but again rubbed in using the tips of my fingers and well fixed. A final background layer od black was then layed down.

Someone said, "why not use black paper?". The answer is that I find black paper too flat, I prefer the dark colour obtained by building up two or three layers.

In this case the black layer was not fixed and I painted the foliage into a soft black layer. There was some mixing but I kept it to a minimum and constantly wiped the pastel sticks used for the foliage to avoid any over mixing.

The final steps were to draw in the grey tree trunks, and add a shadow to the nearer trees; and then to add some linear marks to represent reeds, etc, by the bank of the water.

Reflections were added very simply by drawing down with the same colours used on the top part of the painting.